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Current Issue: Fall/Winter 2010

POEMS

Bruce Covey
Pantoum On Art

Oliver de la Paz
Dear Empire [These are your
interstates
]
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Oliver de la Paz
Dear Empire [These are your maps]
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Oliver de la Paz
Dear Empire [These are your nurseries]
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Christine DeSimone
Quitting Smoking

Todd Dillard
Put the Jukebox On

Todd Dillard
The Hymn of the Garden (Days)

Noelle Kocot
Vow to Continue to Avoid All Drama and Strife

Gary L. McDowell
A Travel of Romance (Scene IV)

Gary L. McDowell
A Travel of Romance (Scene V)

Gary L. McDowell
Simple Objects

Clayton Michaels
– dog star man (part one)
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Ron Mohring
– Admit One

Ron Mohring
Fire

Ron Mohring
Loss: An Atlas

Keith Montesano
Honeymoon Meditation: Flight Number 1967

Keith Montesano
Variation on a Landscape

Corinna McClanahan Schroeder
You Tell Me of the Winters in Laramie

Sheera Talpaz
What You've Heard, It's All True

Kendra Tanacea
After the Funeral
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Laura Madeline Wiseman
I Find My Love: In Mr. Fletcher's School
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Laura Madeline Wiseman
Family Address
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FICTION

Jessica Barksdale
Mistake 502

N.T. Brown
Electric Feel

Nathan Holic
Pastel Dreams

Michael Phillips
When I Was Young


NON-FICTION:
the book(s) that changed my life

Rachel Contreni Flynn
The Word-Loving Dragon

Ru Freeman
Staying Hungry: on Enid Blyton

Alex Lemon
The Book That Changed My Life

Metta Sáma – “Don’t you let on”: two books that charged my tongue


REVIEWS

Laura McCullough on…
Words for Empty and Words for Full, Bob Hicok

Leslie Contreras Schwartz on…
This Is the Red Door, James R. Whitley

Admit One  
Ron Mohring

with a line from William Olsen.

We saw the sun go down without a prayer.
We said we’d write. We said
it didn’t matter, but it did. We saw
concrete and steel cascading down;
we thought it was a movie. We knew
it couldn’t be. We couldn’t see the sun.
We couldn’t move. We moved away;
it didn’t help to swim in smaller ponds.
We moved again. We gave away
some things we loved. Others we sold.
Consoled ourselves with thoughts
of death. We weren’t there yet.
We weren’t the trusting type. We won’t
be fooled again. We know which side
of our bread is buttered, how to shake
a hand and read a darting eye. We know
the tricks that pose as true. We’d rather
draw nude lovers on the ceilings
of our skulls with candle soot
than once admit our own impediments.
How so. How sure. Oh woeful, baleful we.

 

Ron Mohring’s poetry collection, Survivable World, won the 2003 Washington Prize. He lives in central Pennsylvania, where he manages Seven Kitchens Press.