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Current Issue: Fall/Winter 2010

POEMS

Bruce Covey
Pantoum On Art

Oliver de la Paz
Dear Empire [These are your
interstates
]
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Oliver de la Paz
Dear Empire [These are your maps]
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Oliver de la Paz
Dear Empire [These are your nurseries]
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Christine DeSimone
Quitting Smoking

Todd Dillard
Put the Jukebox On

Todd Dillard
The Hymn of the Garden (Days)

Noelle Kocot
Vow to Continue to Avoid All Drama and Strife

Gary L. McDowell
A Travel of Romance (Scene IV)

Gary L. McDowell
A Travel of Romance (Scene V)

Gary L. McDowell
Simple Objects

Clayton Michaels
– dog star man (part one)
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Ron Mohring
– Admit One

Ron Mohring
Fire

Ron Mohring
Loss: An Atlas

Keith Montesano
Honeymoon Meditation: Flight Number 1967

Keith Montesano
Variation on a Landscape

Corinna McClanahan Schroeder
You Tell Me of the Winters in Laramie

Sheera Talpaz
What You've Heard, It's All True

Kendra Tanacea
After the Funeral
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Laura Madeline Wiseman
I Find My Love: In Mr. Fletcher's School
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Laura Madeline Wiseman
Family Address
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FICTION

Jessica Barksdale
Mistake 502

N.T. Brown
Electric Feel

Nathan Holic
Pastel Dreams

Michael Phillips
When I Was Young


NON-FICTION:
the book(s) that changed my life

Rachel Contreni Flynn
The Word-Loving Dragon

Ru Freeman
Staying Hungry: on Enid Blyton

Alex Lemon
The Book That Changed My Life

Metta Sáma – “Don’t you let on”: two books that charged my tongue


REVIEWS

Laura McCullough on…
Words for Empty and Words for Full, Bob Hicok

Leslie Contreras Schwartz on…
This Is the Red Door, James R. Whitley

Dear Empire [These are your interstates]  
Oliver de la Paz

Dear Empire,

These are your interstates. Their reach spindles out from the center of the continent, thin strands of roads like rays of asphalt from a source. Along each byway, there are many signs with your bright-hued countenance. Everywhere we go, you are with us. The mile markers stretch and yaw.

Yellow lines mesmerize drivers; their tire treads hum from the washboarded roads. In the high deserts, the heat makes the whole scene look like it’s underwater. And the suicides collide into the radiator grills. Your smiling face beams into the sunroofs, into the rearview mirrors. As much as we try to leave you, we keep spooling back.

 

Oliver de la Paz is the author of three collections of poetry, Names Above Houses, Furious Lullaby, and most recently, Requiem for the Orchard. His work has appeared in The Southern Review, Virginia Quarterly Review, Tin House, and elsewhere. He teaches creative writing at Western Washington University.