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Current Issue: Fall/Winter 2010

POEMS

Bruce Covey
Pantoum On Art

Oliver de la Paz
Dear Empire [These are your
interstates
]
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Oliver de la Paz
Dear Empire [These are your maps]
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Oliver de la Paz
Dear Empire [These are your nurseries]
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Christine DeSimone
Quitting Smoking

Todd Dillard
Put the Jukebox On

Todd Dillard
The Hymn of the Garden (Days)

Noelle Kocot
Vow to Continue to Avoid All Drama and Strife

Gary L. McDowell
A Travel of Romance (Scene IV)

Gary L. McDowell
A Travel of Romance (Scene V)

Gary L. McDowell
Simple Objects

Clayton Michaels
– dog star man (part one)
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Ron Mohring
– Admit One

Ron Mohring
Fire

Ron Mohring
Loss: An Atlas

Keith Montesano
Honeymoon Meditation: Flight Number 1967

Keith Montesano
Variation on a Landscape

Corinna McClanahan Schroeder
You Tell Me of the Winters in Laramie

Sheera Talpaz
What You've Heard, It's All True

Kendra Tanacea
After the Funeral
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Laura Madeline Wiseman
I Find My Love: In Mr. Fletcher's School
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Laura Madeline Wiseman
Family Address
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FICTION

Jessica Barksdale
Mistake 502

N.T. Brown
Electric Feel

Nathan Holic
Pastel Dreams

Michael Phillips
When I Was Young


NON-FICTION:
the book(s) that changed my life

Rachel Contreni Flynn
The Word-Loving Dragon

Ru Freeman
Staying Hungry: on Enid Blyton

Alex Lemon
The Book That Changed My Life

Metta Sáma – “Don’t you let on”: two books that charged my tongue


REVIEWS

Laura McCullough on…
Words for Empty and Words for Full, Bob Hicok

Leslie Contreras Schwartz on…
This Is the Red Door, James R. Whitley

Dear Empire [These are your maps]  
Oliver de la Paz

Dear Empire,

These are your maps. All the flotsam shines like lights in the desert. And here we’ve buried wires that power your capitals. Here where the river’s silten tongue splits into a fan of tributaries, your gardens. The dams and levees hold back the floods as you had commanded. The water is held down like a lunatic. We call it the lunatic’s plumage.

And here are your barricades. They displace the horizon just as you had asked. Each room you’ve made predictable—the farmlands break across the plains in tiles. The wheat bows to you. It bends.

 

Oliver de la Paz is the author of three collections of poetry, Names Above Houses, Furious Lullaby, and most recently, Requiem for the Orchard. His work has appeared in The Southern Review, Virginia Quarterly Review, Tin House, and elsewhere. He teaches creative writing at Western Washington University.