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Current Issue: Fall/Winter 2010

POEMS

Bruce Covey
Pantoum On Art

Oliver de la Paz
Dear Empire [These are your
interstates
]
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Oliver de la Paz
Dear Empire [These are your maps]
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Oliver de la Paz
Dear Empire [These are your nurseries]
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Christine DeSimone
Quitting Smoking

Todd Dillard
Put the Jukebox On

Todd Dillard
The Hymn of the Garden (Days)

Noelle Kocot
Vow to Continue to Avoid All Drama and Strife

Gary L. McDowell
A Travel of Romance (Scene IV)

Gary L. McDowell
A Travel of Romance (Scene V)

Gary L. McDowell
Simple Objects

Clayton Michaels
– dog star man (part one)
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Ron Mohring
– Admit One

Ron Mohring
Fire

Ron Mohring
Loss: An Atlas

Keith Montesano
Honeymoon Meditation: Flight Number 1967

Keith Montesano
Variation on a Landscape

Corinna McClanahan Schroeder
You Tell Me of the Winters in Laramie

Sheera Talpaz
What You've Heard, It's All True

Kendra Tanacea
After the Funeral
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Laura Madeline Wiseman
I Find My Love: In Mr. Fletcher's School
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Laura Madeline Wiseman
Family Address
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FICTION

Jessica Barksdale
Mistake 502

N.T. Brown
Electric Feel

Nathan Holic
Pastel Dreams

Michael Phillips
When I Was Young


NON-FICTION:
the book(s) that changed my life

Rachel Contreni Flynn
The Word-Loving Dragon

Ru Freeman
Staying Hungry: on Enid Blyton

Alex Lemon
The Book That Changed My Life

Metta Sáma – “Don’t you let on”: two books that charged my tongue


REVIEWS

Laura McCullough on…
Words for Empty and Words for Full, Bob Hicok

Leslie Contreras Schwartz on…
This Is the Red Door, James R. Whitley

The Hymn of the Garden (Days)  
Todd Dillard

to be sung to the absence of the husband

Two sparrows on the dusty road,
one’s beak shoved into the other’s,

a fight over a toast crumb. They rise and fall,
rise and fall, a flutter like
a moth struggling against a windowpane
desperate for the candlelight on my nightstand table. 

I want to understand the birds
as one thing—to translate them from the world’s language
into my own—into Hunger, or Memory.

Our son, on his knees right in front of them,
the white fray of his ripped jeans like sheepdog hair. 

Because I see you in his face
I cannot look into his face,
and so I turn

and pull a flower from the garden,
tear its petals from the sepal.

Not like a girl wishing.
But a woman, counting.

 

Todd Dillard received his MFA from Sarah Lawrence College. His work has appeared in Lumina, Sub-Lit, Best New Poets 2010, and elsewhere. His chapbook, The Drowned Hymns, is available from Jeanne Duval Editions.