tree image

Current Issue: Fall/Winter 2010

POEMS

Bruce Covey
Pantoum On Art

Oliver de la Paz
Dear Empire [These are your
interstates
]
  audio icon

Oliver de la Paz
Dear Empire [These are your maps]
  audio icon

Oliver de la Paz
Dear Empire [These are your nurseries]
  audio icon

Christine DeSimone
Quitting Smoking

Todd Dillard
Put the Jukebox On

Todd Dillard
The Hymn of the Garden (Days)

Noelle Kocot
Vow to Continue to Avoid All Drama and Strife

Gary L. McDowell
A Travel of Romance (Scene IV)

Gary L. McDowell
A Travel of Romance (Scene V)

Gary L. McDowell
Simple Objects

Clayton Michaels
– dog star man (part one)
  audio icon

Ron Mohring
– Admit One

Ron Mohring
Fire

Ron Mohring
Loss: An Atlas

Keith Montesano
Honeymoon Meditation: Flight Number 1967

Keith Montesano
Variation on a Landscape

Corinna McClanahan Schroeder
You Tell Me of the Winters in Laramie

Sheera Talpaz
What You've Heard, It's All True

Kendra Tanacea
After the Funeral
  audio icon

Laura Madeline Wiseman
I Find My Love: In Mr. Fletcher's School
  audio icon

Laura Madeline Wiseman
Family Address
  audio icon


FICTION

Jessica Barksdale
Mistake 502

N.T. Brown
Electric Feel

Nathan Holic
Pastel Dreams

Michael Phillips
When I Was Young


NON-FICTION:
the book(s) that changed my life

Rachel Contreni Flynn
The Word-Loving Dragon

Ru Freeman
Staying Hungry: on Enid Blyton

Alex Lemon
The Book That Changed My Life

Metta Sáma – “Don’t you let on”: two books that charged my tongue


REVIEWS

Laura McCullough on…
Words for Empty and Words for Full, Bob Hicok

Leslie Contreras Schwartz on…
This Is the Red Door, James R. Whitley

Loss: An Atlas  
Ron Mohring

with passages from Adrienne Rich’s “XIII: Dedications”

A building faded to quiet speaks nonetheless:
old beams creak, plumbing moans, radiators
tick off grievances like faint flakes driven against
windows—a nearly imperceptible seethe.  Let

it go, let it be.  This hotel knows you, knows
your bedclothes lie in stagnant coils not because
of ardor—you’ve done your best to become
what was asked, knowing love loses momentum.

Even yours.  Even now.  A trickery of evening light:
that moment when it swells like a tear
unwilled, uncontainable, triggers
a new kind of love for the world, for what might

provide subsistence from here on.  As if
we chose what to feed the soul.  As if eyes met
and unmeeting were the same.  But it
passes—a pink bloom proffered then whisked

away as if never there, and through your
failing sight, through your body’s grievances
which have become everyday insults, a chorus
of hurt so constant it seems a murmur,

you can’t help but acknowledge the spirit’s
resilience.  This dogged will, this forward
totter, this—say it—hope to reignite
a passion for anything, even the alphabet . . .

To admit that you too are thirsty ought not
provoke such shame.  Ask the walls, ask
the mantle of quiet surrounding you, the quick
chill riding the night into this city.  Admit that

love, which is not in your language and never
was, never will be, is not what’s at stake.  Erase
the self and bend once again to the task.  Every
desire is pure hunger, nothing else.  It will pass.

 

Ron Mohring’s poetry collection, Survivable World, won the 2003 Washington Prize. He lives in central Pennsylvania, where he manages Seven Kitchens Press.