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Current Issue: Spring/Summer 2011

POEMS

Megan Alpert
See-Through

Ash Bowen
Post-Dated Love Note on the Doomsday Planetary Alignment: 5 May 2000
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Ash Bowen
Jennifer in Space: Brief Notes on Helio-Galactic Lullabies
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Ash Bowen
Jennifer in Space: Ultrasound

George Eklund
Essay in White

George Eklund
When the World is Beautiful

Michael Homolka
revisiting

Michael Homolka
triangle

David Kirby
God Loves You When You Shake That Thing

David Kirby
The Rest of Us Don't Have to Try That Hard

Dorianne Laux
"Music my rampart"

Dorianne Laux
San Diego, 1965

Nathan McClain
The Pier: Santa Monica
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Marc McKee
Surgeon General's Warning
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Marc McKee
Elationship
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Eddy Roberts
Interpolated Steps
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Matthew Siegel
Overlooking the City

Matthew Siegel
On a Body that Changes

Matthew Siegel
I am no longer cutting my hair

Judith Skillman
The Courtyard

Judith Skillman
Displacement

Sara Wallace
Questions I Ask Myself

Sara Wallace
The One Blessed Thing

Charles Harper Webb
In Drought Time

Johnathon Williams
Conversations with Imaginary Women

Johnathon Williams
In My Wife's House

Laura Madeline Wiseman
In The Field


FICTION

Rebecca Warner
Reluctant Vegan


NON-FICTION:
The Writing Room: Places Where Writers Write

Paul Austin
Sometimes I Write at the Cosmic Cantina

Andreana Binder
I Write With Noise

Gary L. McDowell
Before Daddy Walks Through the Door: On Where I Write

Amy Newman
Window

Martha Silano
A Plane/Car/Beach/Zoo/Beach of One's Own


REVIEWS

Sara Eliza Johnson on…
The Captain Asks for a Show of Hands, Nick Flynn

Melanie Jordan on…
Panic, Laura McCullough

Andrew McFadyen-Ketchum on…
Orange Crush, Simone Muench

Leslie Contreras Schwartz on…
The Book of Ten, Susan Wood

Rebecca Wadlinger on…
Fancy Beasts, Alex Lemon

Vivian Wagner on…
God, Seed: Poetry & Art About the Natural World, Rebecca Foust and Loma Stevens

In Drought Time 
Charles Harper Webb

This mountain trail is like his marriage:
           dry, dusty, hard, hobnailed
                      with stones to trip on, which he

promptly does. Sandwiched between
           buddies who chat about Italian
                      suits and Zuni pots, he breathes

as if he's swallowed a sharp rock.
           The trees are pine, fir, cedar, mixed
                      with a few oaks—somehow still green.

How deep their roots must grow!
           How hardy they must be, sustained
                      by dew, distilling life from sun

that sears him, air too thin to fill
           His heart has shriveled.
                      Lack of tenderness has burned it

brown as the big redwood his friends
           point out, parasitized by mistletoe
                      that prompts no kisses, hung

in tatters as dead as the tree.
           Why don't we rest? he asks himself,
                      hating his friends' shifting buttocks

and thick, relentless thighs. He aches
           to call out, Guys, I need a break,
                      but can't admit so much weakness.

Above them soars Suicide Peak
           from which an Indian princess,
                      lovelessly betrothed (in legend)

leaped. The peak—bare, pinkish rock
           polished by rain, wind, snow—
                      looks like a clitoris. The trail keeps

climbing, but his pain has plateaued:
           just barely endurable,
                      he thinks, and stumbles on.

 

Charles Harper Webb's latest book, Shadow Ball: New & Selected Poems, was published by the University of Pittsburgh Press in Fall 2009. Recipient of grants from the Whiting and Guggenheim foundations, Webb directs Creative Writing at California State University, Long Beach.