

I can point to the exact place in my chest
where James Taylor’s voice reverberates.
I have no defense against that tenor, those
minor keys. It rushes through the aisles of my body
like a priest on dope, trailing smoke, his crucifix
caught in the folds of his robe. I can know
anything I want to know, but my body reveals me.
I sink down beneath the notes, each light-cracked step.
There are nights I jerk awake as if the phone
had rung. But there’s no sound except
the refrigerator humming, joists
creaking in the cold. I watch moonlight
move across the wall, and it’s as if I could touch
my own sadness, the room flung with filaments
that loom in the pockets of my closed eyes.
There’s no accounting for it. I open my mouth
and sing Sweet Baby James. I cross my hands
over my breasts like a woman who is happy to die.