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Current Issue: Spring/Summer 2011

POEMS

Megan Alpert
See-Through

Ash Bowen
Post-Dated Love Note on the Doomsday Planetary Alignment: 5 May 2000
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Ash Bowen
Jennifer in Space: Brief Notes on Helio-Galactic Lullabies
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Ash Bowen
Jennifer in Space: Ultrasound

George Eklund
Essay in White

George Eklund
When the World is Beautiful

Michael Homolka
revisiting

Michael Homolka
triangle

David Kirby
God Loves You When You Shake That Thing

David Kirby
The Rest of Us Don't Have to Try That Hard

Dorianne Laux
"Music my rampart"

Dorianne Laux
San Diego, 1965

Nathan McClain
The Pier: Santa Monica
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Marc McKee
Surgeon General's Warning
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Marc McKee
Elationship
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Eddy Roberts
Interpolated Steps
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Matthew Siegel
Overlooking the City

Matthew Siegel
On a Body that Changes

Matthew Siegel
I am no longer cutting my hair

Judith Skillman
The Courtyard

Judith Skillman
Displacement

Sara Wallace
Questions I Ask Myself

Sara Wallace
The One Blessed Thing

Charles Harper Webb
In Drought Time

Johnathon Williams
Conversations with Imaginary Women

Johnathon Williams
In My Wife's House

Laura Madeline Wiseman
In The Field


FICTION

Rebecca Warner
Reluctant Vegan


NON-FICTION:
The Writing Room: Places Where Writers Write

Paul Austin
Sometimes I Write at the Cosmic Cantina

Andreana Binder
I Write With Noise

Gary L. McDowell
Before Daddy Walks Through the Door: On Where I Write

Amy Newman
Window

Martha Silano
A Plane/Car/Beach/Zoo/Beach of One's Own


REVIEWS

Sara Eliza Johnson on…
The Captain Asks for a Show of Hands, Nick Flynn

Melanie Jordan on…
Panic, Laura McCullough

Andrew McFadyen-Ketchum on…
Orange Crush, Simone Muench

Leslie Contreras Schwartz on…
The Book of Ten, Susan Wood

Rebecca Wadlinger on…
Fancy Beasts, Alex Lemon

Vivian Wagner on…
God, Seed: Poetry & Art About the Natural World, Rebecca Foust and Loma Stevens

"Music my rampart"  
Dorianne Laux

I can point to the exact place in my chest
where James Taylor’s voice reverberates.
I have no defense against that tenor, those
minor keys. It rushes through the aisles of my body
like a priest on dope, trailing smoke, his crucifix
caught in the folds of his robe. I can know
anything I want to know, but my body reveals me.
I sink down beneath the notes, each light-cracked step.
There are nights I jerk awake as if the phone
had rung. But there’s no sound except
the refrigerator humming, joists
creaking in the cold. I watch moonlight
move across the wall, and it’s as if I could touch
my own sadness, the room flung with filaments
that loom in the pockets of my closed eyes.
There’s no accounting for it. I open my mouth
and sing Sweet Baby James. I cross my hands
over my breasts like a woman who is happy to die.

 

Dorianne Laux's most recent collections are The Book of Men and Facts about the Moon. Laux is also author of Awake, What We Carry, and Smoke from BOA Editions, as well as a fine press edition, Dark Charms, from Red Dragonfly Press. She teaches poetry in the MFA Program at North Carolina State University and is founding faculty at Pacific University’s Low Residency MFA Program.