tree image

Current Issue: Spring/Summer 2011

POEMS

Megan Alpert
See-Through

Ash Bowen
Post-Dated Love Note on the Doomsday Planetary Alignment: 5 May 2000
   audio icon

Ash Bowen
Jennifer in Space: Brief Notes on Helio-Galactic Lullabies
   audio icon

Ash Bowen
Jennifer in Space: Ultrasound

George Eklund
Essay in White

George Eklund
When the World is Beautiful

Michael Homolka
revisiting

Michael Homolka
triangle

David Kirby
God Loves You When You Shake That Thing

David Kirby
The Rest of Us Don't Have to Try That Hard

Dorianne Laux
"Music my rampart"

Dorianne Laux
San Diego, 1965

Nathan McClain
The Pier: Santa Monica
   audio icon

Marc McKee
Surgeon General's Warning
   audio icon

Marc McKee
Elationship
   audio icon

Eddy Roberts
Interpolated Steps
   audio icon

Matthew Siegel
Overlooking the City

Matthew Siegel
On a Body that Changes

Matthew Siegel
I am no longer cutting my hair

Judith Skillman
The Courtyard

Judith Skillman
Displacement

Sara Wallace
Questions I Ask Myself

Sara Wallace
The One Blessed Thing

Charles Harper Webb
In Drought Time

Johnathon Williams
Conversations with Imaginary Women

Johnathon Williams
In My Wife's House

Laura Madeline Wiseman
In The Field


FICTION

Rebecca Warner
Reluctant Vegan


NON-FICTION:
The Writing Room: Places Where Writers Write

Paul Austin
Sometimes I Write at the Cosmic Cantina

Andreana Binder
I Write With Noise

Gary L. McDowell
Before Daddy Walks Through the Door: On Where I Write

Amy Newman
Window

Martha Silano
A Plane/Car/Beach/Zoo/Beach of One's Own


REVIEWS

Sara Eliza Johnson on…
The Captain Asks for a Show of Hands, Nick Flynn

Melanie Jordan on…
Panic, Laura McCullough

Andrew McFadyen-Ketchum on…
Orange Crush, Simone Muench

Leslie Contreras Schwartz on…
The Book of Ten, Susan Wood

Rebecca Wadlinger on…
Fancy Beasts, Alex Lemon

Vivian Wagner on…
God, Seed: Poetry & Art About the Natural World, Rebecca Foust and Loma Stevens

revisiting  
Michael Homolka

dungless patch of grass the geese don’t wander
sand and wind ruffle the green

traipsing across the unpeopled
shore at night I feel weightless
as the fronds above

stars come out like sores in consciousness
I think I’ve fallen

too far from my father

the little canopy of trees by the highway
where we first made grass blades shriek

has all but evaporated

if I were to revisit
often enough the image of my unsteady hands
following his lead holding the sound
I could release

his absence into the air

the gray clouds my father used to say
are a good place for pain to hide
keep reminding me

he just wants to be left alone
in that indelible privacy

salt breeze passes through my sweatshirt
as if through a loose net
I want to return to

no other shore but this where the geese
continually honk
from their little stretch of lawn

as if they knew each other’s
worst secrets

and had long ago shrugged them away

 

Michael Homolka's poems have appeared or are forthcoming in Colorado Review, Denver Quarterly, Indiana Review, minnesota review, Notre Dame Review, and West Branch. His book-length manuscript has been a semi-finalist in the Crab Orchard, Sarabande, and Zone 3 contests. He lives and works in New York City.