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Current Issue: Spring/Summer 2011

POEMS

Megan Alpert
See-Through

Ash Bowen
Post-Dated Love Note on the Doomsday Planetary Alignment: 5 May 2000
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Ash Bowen
Jennifer in Space: Brief Notes on Helio-Galactic Lullabies
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Ash Bowen
Jennifer in Space: Ultrasound

George Eklund
Essay in White

George Eklund
When the World is Beautiful

Michael Homolka
revisiting

Michael Homolka
triangle

David Kirby
God Loves You When You Shake That Thing

David Kirby
The Rest of Us Don't Have to Try That Hard

Dorianne Laux
"Music my rampart"

Dorianne Laux
San Diego, 1965

Nathan McClain
The Pier: Santa Monica
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Marc McKee
Surgeon General's Warning
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Marc McKee
Elationship
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Eddy Roberts
Interpolated Steps
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Matthew Siegel
Overlooking the City

Matthew Siegel
On a Body that Changes

Matthew Siegel
I am no longer cutting my hair

Judith Skillman
The Courtyard

Judith Skillman
Displacement

Sara Wallace
Questions I Ask Myself

Sara Wallace
The One Blessed Thing

Charles Harper Webb
In Drought Time

Johnathon Williams
Conversations with Imaginary Women

Johnathon Williams
In My Wife's House

Laura Madeline Wiseman
In The Field


FICTION

Rebecca Warner
Reluctant Vegan


NON-FICTION:
The Writing Room: Places Where Writers Write

Paul Austin
Sometimes I Write at the Cosmic Cantina

Andreana Binder
I Write With Noise

Gary L. McDowell
Before Daddy Walks Through the Door: On Where I Write

Amy Newman
Window

Martha Silano
A Plane/Car/Beach/Zoo/Beach of One's Own


REVIEWS

Sara Eliza Johnson on…
The Captain Asks for a Show of Hands, Nick Flynn

Melanie Jordan on…
Panic, Laura McCullough

Andrew McFadyen-Ketchum on…
Orange Crush, Simone Muench

Leslie Contreras Schwartz on…
The Book of Ten, Susan Wood

Rebecca Wadlinger on…
Fancy Beasts, Alex Lemon

Vivian Wagner on…
God, Seed: Poetry & Art About the Natural World, Rebecca Foust and Loma Stevens

San Diego, 1965  
Dorianne Laux

When I turn 13, the world population reaches 3.3 billion.
I can’t know that in my cul de sac, my yard fenced
in 2000 year old redwood slats. I know nothing
of our place in the galaxy, little of my species,
except that we are persistent, generous, neglected.
I know this from my sisters and brothers, the way
they soldier on in the face of my father’s rage,
their bare spines steadfast beneath his belt, by how
they pull their T-shirts back over their heads
and walk away, a pride of lions lugging
their bikes out onto the street. Russia suffers
another crop failure but I don’t know this
as I eat my Cherrios before we walk to the movies
and pay a dollar each to see Dr. Zhivago.
I fall in love with Julie Christie
and Omar Sharif, the girl on the dam
holding her balalaika. I don’t know why
everyone is fighting, but I’m on the side of the poet.
I go home and make pencil sketches
of Rita Tushingham in her boiler suit
and Wellingtons, her bangs swept to one side
beneath her babushka. I draw Cher
in her bell bottoms with hair-thin lines,
shade in the folds at her elbows and knees.
I see something on the TV about Watts
and Selma, Malcolm X, but no one black
lives in our block of pre-fab Navy houses,
the lawns dotted with dandelions
that after years of mowing have learned
to grow shorter stems, so there’s no one
to deny or betray except each other and ourselves.
I like Andy Warhol’s Campell’s soup can
because we open them for dinner, the lid
peeling away under the greased gears
and beveled blade. The Beatles are singing
Yesterday and I won’t remember anything
about my foster brother shooting himself
in the foot. I cannot imagine 3.3 billion people
living on the earth and I can’t help even
one of them. Kevlar is about to be invented
by a woman named Stephanie Louise Kwoleck
which will keep my older brother alive
during his parachute dives into the jungles
of Vietnam. She has my middle name
and her invention will protect him so he can
return undamaged, unscathed.

 

Dorianne Laux's most recent collections are The Book of Men and Facts about the Moon. Laux is also author of Awake, What We Carry, and Smoke from BOA Editions, as well as a fine press edition, Dark Charms, from Red Dragonfly Press. She teaches poetry in the MFA Program at North Carolina State University and is founding faculty at Pacific University’s Low Residency MFA Program.