tree image

Current Issue: Spring/Summer 2011

POEMS

Megan Alpert
See-Through

Ash Bowen
Post-Dated Love Note on the Doomsday Planetary Alignment: 5 May 2000
   audio icon

Ash Bowen
Jennifer in Space: Brief Notes on Helio-Galactic Lullabies
   audio icon

Ash Bowen
Jennifer in Space: Ultrasound

George Eklund
Essay in White

George Eklund
When the World is Beautiful

Michael Homolka
revisiting

Michael Homolka
triangle

David Kirby
God Loves You When You Shake That Thing

David Kirby
The Rest of Us Don't Have to Try That Hard

Dorianne Laux
"Music my rampart"

Dorianne Laux
San Diego, 1965

Nathan McClain
The Pier: Santa Monica
   audio icon

Marc McKee
Surgeon General's Warning
   audio icon

Marc McKee
Elationship
   audio icon

Eddy Roberts
Interpolated Steps
   audio icon

Matthew Siegel
Overlooking the City

Matthew Siegel
On a Body that Changes

Matthew Siegel
I am no longer cutting my hair

Judith Skillman
The Courtyard

Judith Skillman
Displacement

Sara Wallace
Questions I Ask Myself

Sara Wallace
The One Blessed Thing

Charles Harper Webb
In Drought Time

Johnathon Williams
Conversations with Imaginary Women

Johnathon Williams
In My Wife's House

Laura Madeline Wiseman
In The Field


FICTION

Rebecca Warner
Reluctant Vegan


NON-FICTION:
The Writing Room: Places Where Writers Write

Paul Austin
Sometimes I Write at the Cosmic Cantina

Andreana Binder
I Write With Noise

Gary L. McDowell
Before Daddy Walks Through the Door: On Where I Write

Amy Newman
Window

Martha Silano
A Plane/Car/Beach/Zoo/Beach of One's Own


REVIEWS

Sara Eliza Johnson on…
The Captain Asks for a Show of Hands, Nick Flynn

Melanie Jordan on…
Panic, Laura McCullough

Andrew McFadyen-Ketchum on…
Orange Crush, Simone Muench

Leslie Contreras Schwartz on…
The Book of Ten, Susan Wood

Rebecca Wadlinger on…
Fancy Beasts, Alex Lemon

Vivian Wagner on…
God, Seed: Poetry & Art About the Natural World, Rebecca Foust and Loma Stevens

The Pier: Santa Monica 
Nathan McClain

September 25, 2010

 

Wind whipped our faces,
Wound the scarf about your neck,
Snapped the GLOW banners
Tethered from one pole to another

Along the pier, where fishing poles were lined up
Unmanned, as the men
Cut fish, listened for the soft click
Of bait taken, the line tugged.

At one art installation, a boy cast the shadow
Of a rabbit over a moon-shaped screen
With his hand. And along the beach,
Someone set glow sticks in the sand

That mimicked the tide's coming ashore
And returning to sea. Somewhere
A liquor store hummed OPEN, hummed
WELCOME, hummed

COME AGAIN. An empty church's
Spire pierced the thick evening sky,
Hymnals at rest in the sanded backs of pews.
Once a pastor called me sheep

Led astray by a wolf in sheep's wool—
But we were fully clothed when we waded
Out and stood waist-deep
In sea-water, as though we awaited a letter

Stuffed inside a bottle, or a ship
In a bottle, washed-up like news of some wreck-
age—maybe a man who bobbed in off the coast
Of nowhere, clasped to the last rib of a sailboat

Pried apart by a storm. The deck, his crew,
Everything—all cast to the wind,
And he motions to movement we couldn't
See behind the fog. We saw

Paramedics wheel a woman away
On a gurney to which her forehead, hips, thighs were
Strapped. A sign perhaps. Of what? What
Did it mean if they pricked her with needles

And her toes failed to flinch? She was
Whisked away, out there in the Pacific,
Where all I wanted was to remain still
With you, and let seaweed twine

About our ankles, and let the ocean
Snatch sand from beneath our heels.
Sometimes I feel the ocean still
Snatching sand from beneath my heel.

 

Nathan McClain currently lives and works in Los Angeles. His poems have appeared or are forthcoming in Columbia Poetry Review, Cave Wall, DIAGRAM, Water~Stone Review, and Best New Poets 2010.